“I think perfection is ugly.
Somewhere in the things humans make,
I want to see scars, failure, disorder, distortion.”

― Yohji Yamamoto



Double Happiness, 2009 by Didier Fiuza Faustino. On the border between architecture and art, the French-Portuguese architect Didier Fiuza Faustino creates spatial visions that take man’s body as their elementary unit of mesure allowing him to explore architecture as “tool for exacerbating our senses and sharpening our awareness of reality“. Double Happiness responds to the society of materialism where individual desires seem to be prevailing over all. This nomad piece of urban furniture allows the reactivation of different public spaces and enables inhabitants to reappropriate fragments of their city. They will both escape and dominate public space through a game of equilibrium and desequilibrium. By playing this “risky” game, and testing their own limits, two persons can experience together a new perception of space and recover an awareness of the physical world.

Double Happiness, 2009 by Didier Fiuza Faustino.

On the border between architecture and art, the French-Portuguese architect Didier Fiuza Faustino creates spatial visions that take man’s body as their elementary unit of mesure allowing him to explore architecture as “tool for exacerbating our senses and sharpening our awareness of reality“.

Double Happiness responds to the society of materialism where individual desires seem to be prevailing over all. This nomad piece of urban furniture allows the reactivation of different public spaces and enables inhabitants to reappropriate fragments of their city. They will both escape and dominate public space through a game of equilibrium and desequilibrium. By playing this “risky” game, and testing their own limits, two persons can experience together a new perception of space and recover an awareness of the physical world.


◆ 23 Jun 2012 | 482 notes































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